Letter — by Michael McLane

You are not beautiful, exactly. You are beautiful, inexactly.
— Marvin Bell “To Dorothy”


I realised this morning I’d stopped using the phrase ‘back home.’ This is dangerous perhaps.
A dislocation. The way my knee slips and grinds when I step a certain way. The cartilage is receding,
you know. Connective tissue reduced to bone. I dreamt in Spanish last night. Another kind of longing.
I miss the randomness of fresh jalapenos, of what they do to the tongue. You think you’ve escaped
unscathed and one stops you dead, mid-speech. I don’t know how to convey this inexactly. Do I
redact myself?

Very well then, I am tainted by the soft white of revision. I read again and again of soldiers so taken
by the rolling Wairarapa land that they never made it home. Simply disappeared like birds into
canopy. By the time you read this, frost pots will be in the vines, the equidistant fire of the world and
thrum of crude oil staving off another night. There’s little difference between the pots and the
wildfires that will inevitably consume everything I’ve ever known. We hope they will be the last.
Smoke disguised as fog, pulled from earth peeling at dawn.

+ Michael says, “These poems are from the creative portion of my PhD dissertation, which juxtaposes two time periods in New Zealand's history -- 1) 1942-44 ("The American Invasion") a period in which large numbers of American troops were stationed in New Zealand as a deterrent to Japanese invasion as the majority of the nation's young men were already fighting abroad in Europe and 2) the first Trump administration, during which diplomacy between New Zealand and America were at a nadir, the pandemic and broken global supply chains created austerity reminiscent of the war period, and a new invasion of Americans was under way from both politically motivated expats and the millionaire/billionaire class looking to create bolthole compounds amidst New Zealand's relative calm and isolation. I graduated six months prior to the 2024 election, with the hope that this collection would be a historical record of of two especially turbulent geopolitical periods for NZ, only to wake up on November 6th, 2024 to discover that this project may be ongoing for some time to come.”